{"id":214254,"date":"2021-03-19T17:25:36","date_gmt":"2021-03-19T16:25:36","guid":{"rendered":"https:\/\/lesfilmsduclan.com\/?page_id=214254"},"modified":"2021-04-30T14:52:08","modified_gmt":"2021-04-30T13:52:08","slug":"larsen","status":"publish","type":"page","link":"https:\/\/lesfilmsduclan.com\/en\/larsen\/","title":{"rendered":"FEEDBACK"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.7.3&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height=\u00a0\u00bb611px\u00a0\u00bb custom_padding=\u00a0\u00bb57px|||||\u00a0\u00bb da_disable_devices=\u00a0\u00bboff|off|off\u00a0\u00bb da_is_popup=\u00a0\u00bboff\u00a0\u00bb da_exit_intent=\u00a0\u00bboff\u00a0\u00bb da_has_close=\u00a0\u00bbon\u00a0\u00bb da_alt_close=\u00a0\u00bboff\u00a0\u00bb da_dark_close=\u00a0\u00bboff\u00a0\u00bb da_not_modal=\u00a0\u00bbon\u00a0\u00bb da_is_singular=\u00a0\u00bboff\u00a0\u00bb da_with_loader=\u00a0\u00bboff\u00a0\u00bb da_has_shadow=\u00a0\u00bbon\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5&Prime; 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_module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height_tablet=\u00a0\u00bb\u00a0\u00bb min_height_phone=\u00a0\u00bb\u00a0\u00bb min_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb height_tablet=\u00a0\u00bb\u00a0\u00bb height_phone=\u00a0\u00bb\u00a0\u00bb height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb max_height_tablet=\u00a0\u00bb\u00a0\u00bb max_height_phone=\u00a0\u00bb\u00a0\u00bb max_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_margin=\u00a0\u00bb4px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb11px|||||\u00a0\u00bb border_width_all=\u00a0\u00bb1px\u00a0\u00bb border_color_all=\u00a0\u00bbrgba(51,51,51,0.04)\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5&Prime; _builder_version=\u00a0\u00bb4.7.3&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.4&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000&Prime; background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb transform_scale=\u00a0\u00bb96%|96%\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb min_height=\u00a0\u00bb627px\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px|||\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; border_color_all=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb border_style_all=\u00a0\u00bbnone\u00a0\u00bb content_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb sticky_enabled=\u00a0\u00bb0&Prime; content_phone=\u00a0\u00bb<\/p>\n<table border=%220px #ffffff%22 cellpadding=%220%22 cellspacing=%220%22 style=%22border: 0px #ffffff; height: 1104px; float: left; width: 321px;%22>\n<tbody>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 321.015625px; height: 29px; text-align: center;%22 colspan=%222%22>\n<h1><b>FEEDBACK<\/b><\/h1>\n<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 321.015625px; height: 29px; text-align: center;%22 colspan=%222%22>a film by Margot Gallimard<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 321.015625px; height: 29px;%22 colspan=%222%22><\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 321.015625px; height: 29px; text-align: justify; vertical-align: top;%22 colspan=%222%22>\n<p>Maude and Clothilde have been together for several years, but no longer look at each other. Maude suddenly loses her hearing. Cut off from the world, she tries to get closer to Clothilde who constantly avoids her. It's a journey towards the other, an unreciprocated gaze.<\/p>\n<p>&nbsp;<\/p>\n<\/td>\n<\/tr>\n<tr border:=%22%22 0px=%22%22 ffffff=%22%22 height:=%22%22 53px=%22%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 29px; vertical-align: top;%22><strong>WITH<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 29px; vertical-align: top;%22>Salom\u00e9 RICHARD<br \/>Alexandra CISMONDI<br \/>Laurent DELBECQUE<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 29px; vertical-align: top;%22><strong>SCREENPLAY<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 29px; vertical-align: top;%22>\n<div>Margot GALLIMARD<\/div>\n<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 29px; vertical-align: top;%22><strong>DoP<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 29px; vertical-align: top;%22>\n<div>Eva S\u00c9HET<\/div>\n<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 27px;%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 27px; vertical-align: top;%22><strong>SOUND<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 27px; vertical-align: top;%22>\n<div>Jean-Barth\u00e9l\u00e9my VELAY<\/div>\n<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 29px; vertical-align: top;%22><strong>EDITING<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 29px; vertical-align: top;%22>\n<div>Jeanne SIGN\u00c9<\/div>\n<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 53px;%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 53px; vertical-align: top;%22><strong>PARTNERS<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 53px; vertical-align: top;%22>\n<div>With the support of R\u00c9GION AQUITAINE LIMOUSIN POITOU-CHARENTES in partnership with CNC<\/div>\n<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 29px; vertical-align: top;%22><strong>LENGHT<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 29px; vertical-align: top;%22>30 minutes<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 29px; vertical-align: top;%22><strong>COMPLETION<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 29px; vertical-align: top;%22>April 2017<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 29px; vertical-align: top;%22><strong>VISA<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 29px; vertical-align: top;%22>\n<div>146 651<\/div>\n<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 29px; vertical-align: top;%22><strong>BROADCASTING<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 29px; vertical-align: top;%22>\n<div>Cin\u00e9 +, NoWave<\/div>\n<\/td>\n<\/tr>\n<tr style=%22border: 0px #ffffff; height: 29px;%22>\n<td style=%22border: 0px #ffffff; width: 146.625px; height: 29px; vertical-align: top;%22><strong>AWARDS AND SELECTIONS<\/strong><\/td>\n<td style=%22border: 0px #ffffff; width: 174.390625px; height: 29px; vertical-align: top;%22 class=\" translation-block\">Festival International du Film de Femmes de Cr\u00e9teil 2018, Official Competition, <b>Audience Award<\/b> for the Best French Short<br>\nWicked Queer : The Boston LGBT Film Festival 2018<br>\nInside Out Toronto LGBT Film Festival 2018<br>\nCineplay Awards NYC<br>\nShortFest \u2013 Palm Springs International Film Festival 2018<br>\nPsarokokalo International Short Film Festival 2018<br>\nNorth Carolina Gay and Lesbian Film Festival 2018, No Damsel in Distress<br>\nFestiFrance Belo Horizonte<br>\nFestival Courts sur cour 2018<br>\nPink Screens Brussels Festival 2018<br>\nQueersicht LGBTI Bern Film Festival 2018<br>\nCh\u00e9ries-Ch\u00e9ris LGBTQ Paris Film Festival 2018<br>\nQueer Screen \u2013 Film Fest Sydney 2019<br>\nFestival Des Images aux Mots 2020, Jury Award<br>\nMix Milano Film Festival 2020, in competition<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_margin_phone=\u00a0\u00bb|||-10px|false|false\u00a0\u00bb]<\/p>\n<table border=\"0px #ffffff\" cellpadding=\"0\" cellspacing=\"0\" style=\"border: 0px #ffffff; height: 370px; float: left; width: 625px;\">\n<tbody>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 625.015625px; height: 29px; text-align: center;\" colspan=\"2\">\n<h1><b>FEEDBACK<\/b><\/h1>\n<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 625.015625px; height: 29px; text-align: center;\" colspan=\"2\">a film by Margot Gallimard<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 625.015625px; height: 29px;\" colspan=\"2\"><\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 625.015625px; height: 29px; text-align: justify; vertical-align: top;\" colspan=\"2\">\n<p>Maude and Clothilde have been together for several years, but no longer look at each other. Maude suddenly loses her hearing. Cut off from the world, she tries to get closer to Clothilde who constantly avoids her. It's a journey towards the other, an unreciprocated gaze.<\/p>\n<p>&nbsp;<\/p>\n<\/td>\n<\/tr>\n<tr border:=\"\" 0px=\"\" ffffff=\"\" height:=\"\" 53px=\"\">\n<td style=\"border: 0px #ffffff; width: 211.171875px; height: 29px; vertical-align: top;\"><strong>WITH<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 413.84375px; height: 29px; vertical-align: top;\">Salom\u00e9 RICHARD<br \/>Alexandra CISMONDI<br \/>Laurent DELBECQUE<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 209.46875px; height: 29px; vertical-align: top;\"><strong>SCREENPLAY<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 410.53125px; height: 29px; vertical-align: top;\">\n<div>Margot GALLIMARD<\/div>\n<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 209.46875px; height: 29px; vertical-align: top;\"><strong>DoP<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 410.53125px; height: 29px; vertical-align: top;\">\n<div>Eva S\u00c9HET<\/div>\n<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 27px;\">\n<td style=\"border: 0px #ffffff; width: 209.46875px; height: 27px; vertical-align: top;\"><strong>SOUND<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 410.53125px; height: 27px; vertical-align: top;\">\n<div>Jean-Barth\u00e9l\u00e9my VELAY<\/div>\n<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 209.46875px; height: 29px; vertical-align: top;\"><strong>EDITING<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 410.53125px; height: 29px; vertical-align: top;\">\n<div>Jeanne SIGN\u00c9<\/div>\n<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 53px;\">\n<td style=\"border: 0px #ffffff; width: 209.46875px; height: 53px; vertical-align: top;\"><strong>PARTNERS<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 410.53125px; height: 53px; vertical-align: top;\">\n<div>With the support of R\u00c9GION AQUITAINE LIMOUSIN POITOU-CHARENTES in partnership with CNC<\/div>\n<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 209.46875px; height: 29px; vertical-align: top;\"><strong>LENGHT<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 410.53125px; height: 29px; vertical-align: top;\">30 minutes<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 209.46875px; height: 29px; vertical-align: top;\"><strong>COMPLETION<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 410.53125px; height: 29px; vertical-align: top;\">April 2017<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 209.46875px; height: 29px; vertical-align: top;\"><strong>VISA<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 410.53125px; height: 29px; vertical-align: top;\">\n<div>146 651<\/div>\n<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 209.46875px; height: 29px; vertical-align: top;\"><strong>BROADCASTING<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 410.53125px; height: 29px; vertical-align: top;\">\n<div>Cin\u00e9 +, NoWave<\/div>\n<\/td>\n<\/tr>\n<tr style=\"border: 0px #ffffff; height: 29px;\">\n<td style=\"border: 0px #ffffff; width: 209.46875px; height: 29px; vertical-align: top;\"><strong>AWARDS AND SELECTIONS<\/strong><\/td>\n<td style=\"border: 0px #ffffff; width: 410.53125px; height: 29px; vertical-align: top;\" class=\" translation-block\">Festival International du Film de Femmes de Cr\u00e9teil 2018, Official Competition, <b>Audience Award<\/b> for the Best French Short<br>\nWicked Queer : The Boston LGBT Film Festival 2018<br>\nInside Out Toronto LGBT Film Festival 2018<br>\nCineplay Awards NYC<br>\nShortFest \u2013 Palm Springs International Film Festival 2018<br>\nPsarokokalo International Short Film Festival 2018<br>\nNorth Carolina Gay and Lesbian Film Festival 2018, No Damsel in Distress<br>\nFestiFrance Belo Horizonte<br>\nFestival Courts sur cour 2018<br>\nPink Screens Brussels Festival 2018<br>\nQueersicht LGBTI Bern Film Festival 2018<br>\nCh\u00e9ries-Ch\u00e9ris LGBTQ Paris Film Festival 2018<br>\nQueer Screen \u2013 Film Fest Sydney 2019<br>\nFestival Des Images aux Mots 2020, Jury Award<br>\nMix Milano Film Festival 2020, in competition<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.7.3&Prime; 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